NaBloPoMo. Let's see how I do. Going to Peru for the second half, so it may be just too plain hard, though at least right now I know I'd like to blog about the trip. Maybe do the thing where I write offline and post later when I get an internet connection. Maybe just do my best during the time I'm here. Oh yeah, going to CA next week, so more traveling. Don't think my Nana has internet at her house either, maybe I can email my posts in from my phone?. I have a feeling they will be short ones then, but there is something about just doing something every day, even if it isn't long, that feels good.
I really should be doing my Morning Pages every day, why does that feel like a chore and not blogging every day for a month? I guess because that's supposed to be 3 full pages, and a blog post has a lot fewer restrictions for length. Been thinking more about blogging lately. The whole Julie & Julia movie got me going. How do you create a blog that's viable for getting ads, for getting book deals, for getting movies? And if you base it on your life, what do you do when people get attached to who you are and you want to change, or stuff happens? People seem to relate to real, to the little personal details, but sometimes that seems too personal, like giving away too much...? No idea. bits and pieces at a time, always unfolding ideas. Changing and growing.
Someone today told me that the thing about the kids growing up today, the ones they call Millennials is they've never been alone - they've always been able to text/call/chat with others, they've always been plugged in. I do wonder what that's like. We talk about our cell phones and remember how we lived so many years of our lives without them, laugh at ourselves a little when we panic at leaving it behind while doing errands or some such. I don't know how old people are giving phones to kids, but more or less, they WON'T remember what it's like to live without always access. How does that change you? Who you are, how you relate to the world? I guess we'll find out more as they get older.
I just spent a week without reading as part of The Artist's Way. Much of that week I was mad, frustrated, felt punished that I couldn't get online and read emails, Facebook, etc. This week I'm finding much of that stuff empty, when I expected to be hungrily trying to make up for lost time. Not so much. I still think there is a point to it all, and a beauty to the ability to connect, I mean, the people I've met online, the musicians I've interviewed! The connections to like-minded souls who sometimes seem to be few and far between here in town. I wouldn't want to give that up. But I can still have those connections while being more focussed about how I spend my time online. If I have the discipline/motivation. We'll see how it goes, how inspired I get, how much I feel driven to escape. Because I'm sure a lot of it is an escape, filling time, trying to feel productive.
I HAVE noticed little bits of balance coming in with doing The Artist's Way I think. Taking more walks, cleaning bits of the house. Not necessarily being more creatively productive so far, but feeling more settled, less frantic, less depressed and worried. So that alone is worth something.
The whole time change thing has me pretty messed up. I don't even know which of the clocks in our house got changed yet or not so sometimes I get thrown by an hour in one direction or another.
“I’m inspired by everything. I write about anything. Anyone’s story can become your own — that’s as true in life as it is in art.” - Lis Harvey
Showing posts with label time management. Show all posts
Showing posts with label time management. Show all posts
Sunday, November 01, 2009
Sunday, April 26, 2009
Buffets
A friend of a friend made a very good analogy the other day that still has me thinking. We were at a little birthday party and someone was commenting about how Facebook was so overwhelming with all the crazy applications and everything, and this guy said "Facebook is like a buffet - some people sample everything, some people pick and choose. It doesn't mean both aren't enjoying and getting something out of it."
I thought that was brilliant, useful and very accurate. Similar to Chris Brogan's analogy that Twitter is like a cocktail party, and you shouldn't expect or try to follow and contact everyone - just drop in on the conversations that interest you and gracefully move from one to the next, knowing full well that there is a room full of people you won't even get to.
Here's my problem though, in online life AND at real buffets. I want to try everything. My powers of discrimination and saying no to things are not my strong point. So many things interest me (in life and in food), and when it comes to people, I don't want to hurt anyone's feelings. I'm good at finding the positive side to nearly any situation, at trying to see things from another point of view, at not assuming that my way is the only way or the right way for everyone else (though I can be darn stubborn when it comes to my way being the right way for ME.) When I worked at the online art company and I had to choose a gallery of say 15 potential products that would be a good match for a client, I'd come up with 45 possibilities, manage to cut it down to maybe 30 and then beg one of my more decisive co-worker friends to weed out the extra 15 because for every piece of art I was able to say "but someone might like that because _______!" Sigh.
I have noticed and realized that the online buffet of distractions is WAY more than one could ever consume in a lifetime, let alone a single sitting, and I've even coached others who feel overwhelmed by online stuff to go in the "pick and choose" direction, but doing it for myself is another matter. I always marvel at those people who go to buffets and have just a few things on their plate, with space in-between! They probably marvel at me with all the food piled up and touching.
I think there must be a balance to it all. A way to be decisive and inclusive. Of course some situations call more for it than others. The pile of soggy broccoli in the steam bath at the buffet is not going to get it's feelings hurt if I don't eat it. A friend on Facebook MIGHT notice if I ignore one of their app invites, but more likely than not they aren't going to notice. But they WILL notice if I leave them a personal comment...
One thing I really like about the MySpace blogs and about pretty much any posting on Facebook is the ability to give a kudos or a like or thumbs up. Shows that a person was there, saw and paid attention if only for a second to what you were posting, and says "Rock on. I see you, keep doing what you're doing". It's a quick and easy way to let people know they aren't broadcasting to an empty room. It's really important to me because it seems like so many people DON'T let on that they've seen/heard/watched what people post. I see people out in real life after wondering if ANYONE was listening, and they say "Oh, I heard you a couple weeks ago on the radio!" and it always makes me feel so happy to know someone was paying attention after all the work I put in. But getting a little thumbs up does the same thing closer to the moment...
I wonder how much being decisive has to do with a person's confidence in the abundance of the universe? I think part of why I overdo it at buffets is I want to get my money's worth and I don't know when I'll get to experience this particular food again, so if something is really good, I want more in the moment. If I could be secure in the knowledge that the right food for me will always be there when I need it, and solid in the knowledge that more important than getting my money's worth is to get the proper nourishment's worth rather than overstuffing and feeling sluggish for the rest of the day, I think I'd be ahead by leaps and bounds in life.
I've been rather this way since I was a baby apparently - my mom said it was hard to get me to go to sleep because it seemed like I was always afraid of missing out on something. Right now the analogy popping to mind is the one about squeezing a handful of sand - the tighter you grip, the more slips through your fingers! How can I go through more areas of my life with open hands? How silly of me to want to hold the whole beach! I can APPRECIATE the whole beach with my eyes and mind, and intimately, immediately enjoy what's right in front of me and in my hands. The fact that there's a whole beach and bazillions of grains of sand I can't possibly get to on a grain by grain basis doesn't mean I can't appreciate the whole.
Similar tactic I've heard when going to a museum - rather than trying to see EVERYTHING and getting burnt out - go into the room, glance around at everything from the center, or make a quick pass around it all, then see where you are drawn and take time to just BE with that one piece of artwork. More joy from less volume but higher quality. Yes.
I hope solidifying this realization is the first step to living it...
I thought that was brilliant, useful and very accurate. Similar to Chris Brogan's analogy that Twitter is like a cocktail party, and you shouldn't expect or try to follow and contact everyone - just drop in on the conversations that interest you and gracefully move from one to the next, knowing full well that there is a room full of people you won't even get to.
Here's my problem though, in online life AND at real buffets. I want to try everything. My powers of discrimination and saying no to things are not my strong point. So many things interest me (in life and in food), and when it comes to people, I don't want to hurt anyone's feelings. I'm good at finding the positive side to nearly any situation, at trying to see things from another point of view, at not assuming that my way is the only way or the right way for everyone else (though I can be darn stubborn when it comes to my way being the right way for ME.) When I worked at the online art company and I had to choose a gallery of say 15 potential products that would be a good match for a client, I'd come up with 45 possibilities, manage to cut it down to maybe 30 and then beg one of my more decisive co-worker friends to weed out the extra 15 because for every piece of art I was able to say "but someone might like that because _______!" Sigh.
I have noticed and realized that the online buffet of distractions is WAY more than one could ever consume in a lifetime, let alone a single sitting, and I've even coached others who feel overwhelmed by online stuff to go in the "pick and choose" direction, but doing it for myself is another matter. I always marvel at those people who go to buffets and have just a few things on their plate, with space in-between! They probably marvel at me with all the food piled up and touching.
I think there must be a balance to it all. A way to be decisive and inclusive. Of course some situations call more for it than others. The pile of soggy broccoli in the steam bath at the buffet is not going to get it's feelings hurt if I don't eat it. A friend on Facebook MIGHT notice if I ignore one of their app invites, but more likely than not they aren't going to notice. But they WILL notice if I leave them a personal comment...
One thing I really like about the MySpace blogs and about pretty much any posting on Facebook is the ability to give a kudos or a like or thumbs up. Shows that a person was there, saw and paid attention if only for a second to what you were posting, and says "Rock on. I see you, keep doing what you're doing". It's a quick and easy way to let people know they aren't broadcasting to an empty room. It's really important to me because it seems like so many people DON'T let on that they've seen/heard/watched what people post. I see people out in real life after wondering if ANYONE was listening, and they say "Oh, I heard you a couple weeks ago on the radio!" and it always makes me feel so happy to know someone was paying attention after all the work I put in. But getting a little thumbs up does the same thing closer to the moment...
I wonder how much being decisive has to do with a person's confidence in the abundance of the universe? I think part of why I overdo it at buffets is I want to get my money's worth and I don't know when I'll get to experience this particular food again, so if something is really good, I want more in the moment. If I could be secure in the knowledge that the right food for me will always be there when I need it, and solid in the knowledge that more important than getting my money's worth is to get the proper nourishment's worth rather than overstuffing and feeling sluggish for the rest of the day, I think I'd be ahead by leaps and bounds in life.
I've been rather this way since I was a baby apparently - my mom said it was hard to get me to go to sleep because it seemed like I was always afraid of missing out on something. Right now the analogy popping to mind is the one about squeezing a handful of sand - the tighter you grip, the more slips through your fingers! How can I go through more areas of my life with open hands? How silly of me to want to hold the whole beach! I can APPRECIATE the whole beach with my eyes and mind, and intimately, immediately enjoy what's right in front of me and in my hands. The fact that there's a whole beach and bazillions of grains of sand I can't possibly get to on a grain by grain basis doesn't mean I can't appreciate the whole.
Similar tactic I've heard when going to a museum - rather than trying to see EVERYTHING and getting burnt out - go into the room, glance around at everything from the center, or make a quick pass around it all, then see where you are drawn and take time to just BE with that one piece of artwork. More joy from less volume but higher quality. Yes.
I hope solidifying this realization is the first step to living it...
Labels:
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food,
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internet,
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Thursday, November 20, 2008
Grah!!
So what's my deal? SO MUCH I want and need to do, and I spend all my time at home either sleeping or online reading blogs and "social networking". It's one of those things that's really hard for me to figure out how to balance, and until recently I haven't really even had any desire to. It's kind of hard because I can't just turn it off altogether - there ARE important and valid connections I'm making and/or maintaining and valuable things that I'm learning.
But how do I know which are the important things? There's ALWAYS more to read/see/do online and sometimes I find myself doing the STUPIDEST things - like re-arranging my freaking plants on my Facebook Green Patch. SERIOUSLY! WHO THE FREAK CARES?! But when you have infinite choice, that's exactly what you have to do, CHOOSE. I think sometimes I do the dumb things like organizing plants because it's mindless, yet it feels like some tiny corner of my world I can have control over. Like somehow I can think better or feel like master of my universe if my plants are arranged more or less in rainbow order. Because there's so much I can't control, so much chaos. hrmph.
Really been thinking more about some of the conversation Trick and I seem to have going the past few days (see his comments on previous posts). It's kind of amazing, pretty much all stuff I know in theory, stuff I've heard before and understood, but it all flies out the window when it comes to me and my own art - why is that?
The editor - the evil editor. I know, I know she needs to go sit in the back room while I'm CREATING and can come back AFTER there's even something to critique. I've gotten way, way better at managing her, but she still manages to poke her head in at the most inopportune moments.
I sat in on a brilliant session at Song School where Steve Seskin and Susan Werner starting co-writing a song on the fly in front of a bunch of us. Susan went a little bonkers, bouncing around, chewing A LOT of gum, pacing, lying down (I think?). Anyway, someone asked her afterwards what was up with the gum (It was like a whole big pack) and she explained that she was doing everything she could to distract the editor and just BE in the moment. I thought it was brilliant. Both that she was brave enough to show us what it took for her to get the best place for writing, and that she'd figured it out for herself, her bag of tricks.
The problem for me I think, is I don't just have an editor for writing, it's for most of life! How exhausting is that? Very. Very. I think I may have actually done pretty well lately when I actually get down to the real writing at letting the creativity flow. But getting to the point where I allow myself to do it, allow myself to write, well the critic always has a whole bunch of things I should do first - clean the kitchen, make the bed, fold the laundry, write to potential interviewees, blog on the music blog, clear out old files on my computer and back it up, file papers, purge the closets and take stuff to Lucky Day, cook food, organize drawers, detail the car, vacuum the birdseed off the floor, DUST (omg do I ever need to dust), exercise, practice, do homework, etc, etc. All these things I SHOULD do first, and yet I don't do ANY of them, I just mess around online.
It's easier. It feels productive somehow. It seems like any one thing I want to do is just going to take a couple of seconds. But add up all the sites, checking messages, reading posts, leaving comments, and all of a sudden it's 11:30 at night and I'm too tired to think and give the proper attention and energy to the important things. It doesn't take a lot of brain power to check Twitter posts. But if I don't keep up on them, it takes a long time to catch up. (and there I just went and spent 20 minutes checking all those sites again. damn)
But the thing I've been thinking about is that I need to get my head on straight with the music. Back to the joy of just doing it. Because what's the point if I'm just as miserable forcing it, piling expectations and demands on it? That's no different than the office jobs I'd be trying to escape! I have a pretty good set up right now of part-time, and in an office environment that rocks, working with and on the business side of music. And I have so many ideas for when we have more users about how to make it a fun and useful community.
I have ideas for the musicians I'm helping out too. It's just hard to know when to put the ideas out there. I don't want to step on any toes or tell someone how to live their life or do their thing. Or like some of the ideas I've put out and they've been well received as ideas, but how to actually get them into reality?
And then, and then, what about me?
But how do I know which are the important things? There's ALWAYS more to read/see/do online and sometimes I find myself doing the STUPIDEST things - like re-arranging my freaking plants on my Facebook Green Patch. SERIOUSLY! WHO THE FREAK CARES?! But when you have infinite choice, that's exactly what you have to do, CHOOSE. I think sometimes I do the dumb things like organizing plants because it's mindless, yet it feels like some tiny corner of my world I can have control over. Like somehow I can think better or feel like master of my universe if my plants are arranged more or less in rainbow order. Because there's so much I can't control, so much chaos. hrmph.
Really been thinking more about some of the conversation Trick and I seem to have going the past few days (see his comments on previous posts). It's kind of amazing, pretty much all stuff I know in theory, stuff I've heard before and understood, but it all flies out the window when it comes to me and my own art - why is that?
The editor - the evil editor. I know, I know she needs to go sit in the back room while I'm CREATING and can come back AFTER there's even something to critique. I've gotten way, way better at managing her, but she still manages to poke her head in at the most inopportune moments.
I sat in on a brilliant session at Song School where Steve Seskin and Susan Werner starting co-writing a song on the fly in front of a bunch of us. Susan went a little bonkers, bouncing around, chewing A LOT of gum, pacing, lying down (I think?). Anyway, someone asked her afterwards what was up with the gum (It was like a whole big pack) and she explained that she was doing everything she could to distract the editor and just BE in the moment. I thought it was brilliant. Both that she was brave enough to show us what it took for her to get the best place for writing, and that she'd figured it out for herself, her bag of tricks.
The problem for me I think, is I don't just have an editor for writing, it's for most of life! How exhausting is that? Very. Very. I think I may have actually done pretty well lately when I actually get down to the real writing at letting the creativity flow. But getting to the point where I allow myself to do it, allow myself to write, well the critic always has a whole bunch of things I should do first - clean the kitchen, make the bed, fold the laundry, write to potential interviewees, blog on the music blog, clear out old files on my computer and back it up, file papers, purge the closets and take stuff to Lucky Day, cook food, organize drawers, detail the car, vacuum the birdseed off the floor, DUST (omg do I ever need to dust), exercise, practice, do homework, etc, etc. All these things I SHOULD do first, and yet I don't do ANY of them, I just mess around online.
It's easier. It feels productive somehow. It seems like any one thing I want to do is just going to take a couple of seconds. But add up all the sites, checking messages, reading posts, leaving comments, and all of a sudden it's 11:30 at night and I'm too tired to think and give the proper attention and energy to the important things. It doesn't take a lot of brain power to check Twitter posts. But if I don't keep up on them, it takes a long time to catch up. (and there I just went and spent 20 minutes checking all those sites again. damn)
But the thing I've been thinking about is that I need to get my head on straight with the music. Back to the joy of just doing it. Because what's the point if I'm just as miserable forcing it, piling expectations and demands on it? That's no different than the office jobs I'd be trying to escape! I have a pretty good set up right now of part-time, and in an office environment that rocks, working with and on the business side of music. And I have so many ideas for when we have more users about how to make it a fun and useful community.
I have ideas for the musicians I'm helping out too. It's just hard to know when to put the ideas out there. I don't want to step on any toes or tell someone how to live their life or do their thing. Or like some of the ideas I've put out and they've been well received as ideas, but how to actually get them into reality?
And then, and then, what about me?
Labels:
creativity,
critic,
editor,
emotions,
frustration,
ideas,
internet,
marketing,
music,
procrastination,
time management
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